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Sheng Lor, Loom 1, 2024 — dressed loom sculpture constructed from a wooden loom densely wrapped with cochineal- and madder root-dyed yarns, forming a deep, box-like textile structure.

Interstitial

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Portrait of artist Sheng Lor standing in front of her abstract drawings, wearing a blue denim outfit.
Installation Views
Installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring framed wall works and sculptural forms within the gallery space.
Installation view of Dressed Loom in Repose by Sheng Lor from the exhibition Interstitial at Gallery Sonder, showing a woven sculptural form with a viewer standing nearby for scale.
Wide view of the gallery installation showing framed works along the wall with sculptural forms positioned in the foreground.
Wide installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring pastel-toned wall works and sculptural forms in a white gallery space, with a blurred figure walking through for scale.
A viewer stands near a framed work in the exhibition, showing the scale of the artwork within the gallery space.
Window-facing installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring a colorful sculptural work on a white plinth visible through the gallery facade.
Installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring framed wall works and sculptural forms within the gallery space.
Installation view of Dressed Loom in Repose by Sheng Lor from the exhibition Interstitial at Gallery Sonder, showing a woven sculptural form with a viewer standing nearby for scale.
Wide view of the gallery installation showing framed works along the wall with sculptural forms positioned in the foreground.
Wide installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring pastel-toned wall works and sculptural forms in a white gallery space, with a blurred figure walking through for scale.
A viewer stands near a framed work in the exhibition, showing the scale of the artwork within the gallery space.
Window-facing installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring a colorful sculptural work on a white plinth visible through the gallery facade.
Installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring framed wall works and sculptural forms within the gallery space.
Installation view of Dressed Loom in Repose by Sheng Lor from the exhibition Interstitial at Gallery Sonder, showing a woven sculptural form with a viewer standing nearby for scale.
Wide view of the gallery installation showing framed works along the wall with sculptural forms positioned in the foreground.
Wide installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring pastel-toned wall works and sculptural forms in a white gallery space, with a blurred figure walking through for scale.
A viewer stands near a framed work in the exhibition, showing the scale of the artwork within the gallery space.
Window-facing installation view of Interstitial, a solo exhibition by Sheng Lor at Gallery Sonder, featuring a colorful sculptural work on a white plinth visible through the gallery facade.
Exhibition Preview
Essay

Written by jill moniz, PhD, founder of Transformative Arts, this exhibition essay accompanies Interstitial, Sheng Lor’s solo exhibition at Gallery Sonder. Drawing from Hmong histories, ritual practice, and concepts of fugitivity, the essay situates Lor’s looms and thread drawings as sites of spiritual, material, and cultural convergence.

Read the exhibition essay by Jill Moniz, PhD (PDF) link arrow
Studio
Overhead view of colored pencils and sketchbooks with abstract color studies laid out on a studio work surface.
Close-up of intersecting multicolored yarns stretched across Sheng Lor’s Loom 4, showing red threads crossing softer pastel fibers.
Detail view of a wooden loom with stretched threads catching light inside Sheng Lor’s studio.
Silhouette of Sheng Lor standing inside her studio, looking out through large windows toward the Los Angeles skyline.
Sheng Lor walking through her studio with large pastel thread drawings mounted on the walls and loom parts on the floor.
Overhead view of colored pencils and sketchbooks with abstract color studies laid out on a studio work surface.
Close-up of intersecting multicolored yarns stretched across Sheng Lor’s Loom 4, showing red threads crossing softer pastel fibers.
Detail view of a wooden loom with stretched threads catching light inside Sheng Lor’s studio.
Silhouette of Sheng Lor standing inside her studio, looking out through large windows toward the Los Angeles skyline.
Sheng Lor walking through her studio with large pastel thread drawings mounted on the walls and loom parts on the floor.
Overhead view of colored pencils and sketchbooks with abstract color studies laid out on a studio work surface.
Close-up of intersecting multicolored yarns stretched across Sheng Lor’s Loom 4, showing red threads crossing softer pastel fibers.
Detail view of a wooden loom with stretched threads catching light inside Sheng Lor’s studio.
Silhouette of Sheng Lor standing inside her studio, looking out through large windows toward the Los Angeles skyline.
Sheng Lor walking through her studio with large pastel thread drawings mounted on the walls and loom parts on the floor.
SELECTED WORKS
Sheng Lor
Sheng Lor

Loom 12024

Loom, cochineal- and madder root-dyed yarns 48 x 38 x 29 in

Sheng Lor
Sheng Lor

Dressed Loom in Repose2024

Loom, indigo-, cochineal- and alkanet root-dyed yarns 56 x 58 x 49 in

Sheng Lor
Sheng Lor

Red (Iris)2026

Colored pencil on cotton paper, framed in basswood 64.13 x 45.63 x 0.5 in

Sheng Lor
Sheng Lor

Blue (Iris)2026

Colored pencil on cotton paper, framed in basswood 64.13 x 45.63 x 0.5 in

"Interstitial best describes Sheng Lor’s art practice as the register of her cultural life. She occupies several overlapping states of fugitivity, and it is in these liminal spaces that she creates her woven looms and thread drawings to continue to evade capture."

-Dr. jill moniz

Sheng Lor (b. 1987) is a Los Angeles-based textile artist working within the context of sculpture, painting and drawing. Her work draws from Hmong histories and experiences of fugitivity, especially those parts which are secret and silent. Born in a Thai refugee camp to parents who survived the Secret War in Laos, Lor has spent her practice unraveling memories, dreams, and folktales that are full of hidden information, exploring the motifs of personal and collective traumas through pattern and material.

Lor holds a BA in Art Studio from University of California, Davis, and an MFA in Painting and Drawing from University of California, Los Angeles. She was a recipient of the Helen Frankenthaler Fellowship, UCLA Graduate Opportunity Fellowship, Sankofa Fund for Cultural Preservation Grant, and Surface Design Association Personal Development Grant. Lor has exhibited her work in group exhibitions widely across California, including at the San Jose Museum of Quilts and Textiles, de Young Museum, SOMArts, Palos Verdes Art Center, and numerous galleries and project spaces in Los Angeles.

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Portrait of artist Sheng Lor standing in front of her abstract drawings, wearing a blue denim outfit.
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