Sheng Lor, Loom 1, 2024 — dressed loom sculpture constructed from a wooden loom densely wrapped with cochineal- and madder root-dyed yarns, forming a deep, box-like textile structure.
02.06.26 - 03.07.26

Interstitial

INTRODUCTION
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Portrait of artist Sheng Lor standing in front of her abstract drawings, wearing a blue denim outfit.
Installation Views
nstallation view of The Thing In Itself at Gallery Sonder, featuring works by Sheng Lor, Ruben Benjamin, Josh Sperling, Pilar Wiley, and Gary Lang in a white gallery space with exposed wood ceiling beams.
Framed abstract drawing installed on a white gallery wall, shown with a figure for scale.
Installation view of The Thing In Itself, Gallery Sonder. Works by Sheng Lor, Ruben Benjamin, Josh Sperling, Pilar Wiley, and Susan Maddux.
nstallation view of The Thing In Itself at Gallery Sonder, featuring works by Sheng Lor, Ruben Benjamin, Josh Sperling, Pilar Wiley, and Gary Lang in a white gallery space with exposed wood ceiling beams.
Framed abstract drawing installed on a white gallery wall, shown with a figure for scale.
Installation view of The Thing In Itself, Gallery Sonder. Works by Sheng Lor, Ruben Benjamin, Josh Sperling, Pilar Wiley, and Susan Maddux.
nstallation view of The Thing In Itself at Gallery Sonder, featuring works by Sheng Lor, Ruben Benjamin, Josh Sperling, Pilar Wiley, and Gary Lang in a white gallery space with exposed wood ceiling beams.
Framed abstract drawing installed on a white gallery wall, shown with a figure for scale.
Installation view of The Thing In Itself, Gallery Sonder. Works by Sheng Lor, Ruben Benjamin, Josh Sperling, Pilar Wiley, and Susan Maddux.
Exhibition Preview
Essay
Studio
Overhead view of colored pencils and sketchbooks with abstract color studies laid out on a studio work surface.
Close-up of intersecting multicolored yarns stretched across Sheng Lor’s Loom 4, showing red threads crossing softer pastel fibers.
Detail view of a wooden loom with stretched threads catching light inside Sheng Lor’s studio.
Silhouette of Sheng Lor standing inside her studio, looking out through large windows toward the Los Angeles skyline.
Sheng Lor walking through her studio with large pastel thread drawings mounted on the walls and loom parts on the floor.
Overhead view of colored pencils and sketchbooks with abstract color studies laid out on a studio work surface.
Close-up of intersecting multicolored yarns stretched across Sheng Lor’s Loom 4, showing red threads crossing softer pastel fibers.
Detail view of a wooden loom with stretched threads catching light inside Sheng Lor’s studio.
Silhouette of Sheng Lor standing inside her studio, looking out through large windows toward the Los Angeles skyline.
Sheng Lor walking through her studio with large pastel thread drawings mounted on the walls and loom parts on the floor.
Overhead view of colored pencils and sketchbooks with abstract color studies laid out on a studio work surface.
Close-up of intersecting multicolored yarns stretched across Sheng Lor’s Loom 4, showing red threads crossing softer pastel fibers.
Detail view of a wooden loom with stretched threads catching light inside Sheng Lor’s studio.
Silhouette of Sheng Lor standing inside her studio, looking out through large windows toward the Los Angeles skyline.
Sheng Lor walking through her studio with large pastel thread drawings mounted on the walls and loom parts on the floor.
SELECTED WORKS

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"Interstitial best describes Sheng Lor’s art practice as the register of her cultural life. She occupies several overlapping states of fugitivity, and it is in these liminal spaces that she creates her woven looms and thread drawings to continue to evade capture."

-Dr. jill moniz

About

Sheng Lor (b. 1987) is a Los Angeles-based textile artist working within the context of sculpture, painting and drawing. Her work draws from Hmong histories and experiences of fugitivity, especially those parts which are secret and silent. Born in a Thai refugee camp to parents who survived the Secret War in Laos, Lor has spent her practice unraveling memories, dreams, and folktales that are full of hidden information, exploring the motifs of personal and collective traumas through pattern and material.

Lor holds a BA in Art Studio from University of California, Davis, and an MFA in Painting and Drawing from University of California, Los Angeles. She was a recipient of the Helen Frankenthaler Fellowship, UCLA Graduate Opportunity Fellowship, Sankofa Fund for Cultural Preservation Grant, and Surface Design Association Personal Development Grant. Lor has exhibited her work in group exhibitions widely across California, including at the San Jose Museum of Quilts and Textiles, de Young Museum, SOMArts, Palos Verdes Art Center, and numerous galleries and project spaces in Los Angeles.

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Portrait of artist Sheng Lor standing in front of her abstract drawings, wearing a blue denim outfit.
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